1
Cover Page & Index
Cover Page & Index
1-3
2
Himanshu Sati & G K Bhide
Revisiting Raga Classification as Propounded by Pandit Vishnu Narayan Bhatkhande
4-12
3
Sandip Kumar Raut
Dynamics of Upaj: Unravelling the intricacies of improvisation in Indian Music
13-23
4
Dipankar Chakraborty & Sumita Dutta
The Multi-layered Reality of ‘Sakari Shruti’: An in-depth Analysis of Historical and Perceptual Nuances
24-34
5
Vagisha Sharma
Divine Imperfect Circles in Mathematics and Music
35-45
6
Ikla Subba & Pooja Basnett
Beyond the Lens and Soundtrack: Exploring Women’s Participation in Filmmaking and Film Music in Sikkim
46-52
7
Manikangkana Barman
The History and Evolution of Bhortaal Dance: A Traditional Performing Art of Assam
53-59
8
राकेश
हरियाणा लोक संगीत की प्रमुख गायन शैलियों का विश्लेषणात्मक अध्ययन
60-72
9
मानस विश्वरूप
आगरा घराने की गायकी में बोल अंग: एक विश्लेषणात्मक अध्ययन
73-84
10
Meenakshi S Thambi
Staging Femininity: Yue Opera’s Aesthetic Reinvention in Xie Jin’s Two Stage Sisters
85-90
11
R. Hemalatha
A Comparative Study of the Rāga-s Kanakāmbari and Śuddha Mukhāri with special reference to the Gīta-s in Saṅgīta Sampradāya Pradarśini
91-98
12
Borish Dutta
The Chaidhya Prasanga in Kamalabari Satras & Barpeta Satra
99-106
13
Sonica Hazarika
Integration of Bharata’s Nayika Bheda in the Ankiya Geets: The Songs of the Traditional Theatre Form Ankiya Nat-Bhaona of Assam
107-114
14
Bhanupratap Sahoo & Revati Sakalkar
Music Copyright in the Age of Artificial Intelligence: A New Era of Creative Ownership
115-125
15
अशोक गोप और शाकिर तसनीम
झारखंड के पारंपरिक लुप्तप्राय वाद्य यंत्र : एक अवलोकन
126-140
16
Reema Das & Shrabanika Changmai
Expression of devotion in Bargeet through the character of Lord Krishna
141-150
17
Chintamoni Molia
Folk Music as Cultural Performance: The Role of ‘Kham Yon Kong’ in Tai Phake Society of Assam
151-155
18
Amit Kumar Verma
Musical Names of NCERT Books: Integrating Art and Music into Education as Universal Expressions
156-164
19
Swagata Bhattacharjee
Curriculum, Culture, and Policy: Why We Need “Sociology of Music” as a Sub-discipline
165-173
20
Nibedita Shyam & Sangeeta Pandit
The Emotive Notion of Raag Ahir-Bhairav: An Experimental Analysis
174-185
21
S. Seethalakshmi
Muktayi for Kalpana Svaras
186-197
22
Asmita Mishra & Pragya Pyasi
Ayodhya’s Keertan Tradition and Its Socio-Cultural Aspects and Connections
198-210
23
Shashank M. Upadhye
The Fundamentals of Tabla Accompaniment with Khayal Gayaki
211-216
24
D V K Vasudevan
Interwoven Arts: Exploring the Legacy of Ragamala Paintings, Hindustani and Carnatic Music Traditions, and Carpet Weaving during Rajput and Mughal periods
217-223
25
Vidhi Nagar & Shikha Ramesh
Gestures Across Borders: A Study of Laotian Traditional Dance Through the Nāṭyaṡāstra’s Lens of Aṅga
224-246
26
Bikiraj Mahanta
Echoes of Tradition: A Comprehensive Study of the Bogejari Dance of Pati Rabha Women of Assam
247-258
27
Maneesha M. Kulkarni
Analysis of Rhythmic Aspect in Gharanas of Hindustani Music
259-267
28
नितिश भारद्वाज और प्रो० प्रवीण उद्धव
डिजिटल युग में शास्त्रीय संगीत: संरक्षण और नवाचार की नई राह
268-276
29
शुभम चौहान और प्रो० प्रवीण उद्धव
कोरोना काल और तबला चिंतन: पंडित शुभंकर बनर्जी के विचारों की झलक
277-284
30
Manoj Verma
An analytical Study of the Folklores of Himachal Pradesh in the Context of Promoting and Preserving its Ancient Culture and Traditions
285-295