| Sl. No | Author | Paper Title | Page No. |
| 1 | Cover Page & Index | 1-4 |
| 2 | Editorial | 5-5 |
| 3 | Srivaralaxmi V& Uma Maheswari P | From Vinyl to Digital: A Century of Technological Advancements in Indian Classical Music | 6-17 |
| 4 | Vishal Lout | International Standard Recording Code is the Need of Today’s Music Industry to Collect Royalty with Accuracy | 18-26 |
| 5 | Neha Aggarwal & Chander Pal Punia | Chemical Analysis and Conservation of Materials in Indian Musical Instruments | 27-37 |
| 6 | Dipankar Chakraborty & Sumita Dutta | A Comprehensive Musical Analysis of Skanda Purana | 38-57 |
| 7 | Megha Kwatra & Amit Ahuja | Reshaping the Brain Through Music: Instrumental Learning, Neuroplasticity, and Academic Achievement | 58-65 |
| 8 | Yadhav Sharma | Harmonizing Heritage: Unveiling the Significance of Indian Classical Music in the Modern World | 66-69 |
| 9 | Mohini Tripathi | Adherence to STREAM pedagogy as per Tagorean model in the context of NEP 2020 | 70-75 |
| 10 | Deepika Srivastava, Rajinder Kumar Sen & Aditi Pandey | Nada Yoga and Spirituality: The Transformative Power of Indian Music | 76-82 |
| 11 | Shamayita Panja & Madhumita Bhattacharya | Shyamā Sangīt: The Devotional Music Dedicated to Goddess Kāli | 83-88 |
| 12 | Roshan Putwar & Manasi Majumder | Apprenticeship of Dāphā Music in Newari Communities of Nepal | 89-97 |
| 13 | Sai Eishwary Mahashabde & Santosh Kumar Pathak | Laya Aspect in Dhrupad and Khayal-A Comparative Analysis | 98-103 |
| 14 | Bhanupratap Sahoo & Revati Sakalkar | Indian Ancestry of Violin | 104-112 |
| 15 | Lawanya Kirti Singh ‘Kabya’ | Ragas in Indian Texts | 113-148 |
| 16 | Swapnil Chandrakant Chaphekar | Depiction of Ashtanayika-s in Khayal Bandish-es and Indian Miniature Paintings: An Interdisciplinary Comparative Study | 149-158 |
| 17 | Itishree Sahoo | Performing Arts: A Holistic Perspective | 159-166 |
| 18 | Rajendra Prasad | The Power of Stardom: Exploring Celebrity Influence in Indian Politics | 167-178 |
| 19 | Dulal Hazarika | Reflection of Assamese Society in Bihu Geet and its Relevance | 179-186 |
| 20 | विभा पाण्डेय एवं प्रेम कुमार मल्लिक | ध्रुपद गायन शैली की विकास यात्रा: एक अध्ययन | 187-195 |
| 21 | Y. Datta | Shailandra: The Best Lyricist in Hindi Cinema | 196-222 |
| 2223 | Rupanta Borpatra Gohain | Ankia-Nat: A Traditional Theatre (An Analytical Study on its Presentation, Acting and Musical Perspective) | 223-233 |
| 24 | Rama Sundar | A Cohort Analysis of Andal and Soyarabai’s Songs as two Women Bhakti Saints | 234-240 |
| 25 | प्रेम प्रकाश प्रजापति एवं शोभित कुमार नाहर | ध्वनि विस्तारक यंत्रों के प्रयोग एवं आकाशवाणी के आगमन से तबला वादन में परिवर्तन | 241-245 |
| 26 | S. Ranjani | How Geography and Climate Shape Indian Music Education-A Comprehensive Analysis | 246-257 |
| 2728 | Samidha Vedabala | Cultural Hybridity in Indian Music: Blending Tradition and Innovation | 258-264 |
| 29 | Preeti Sethuraman & K. Rukmani | Natakuranji – A Study | 265-276 |
| 30 | Sandip Kumar Raut | The Significance of Yoga in Tabla Playing: A Holistic Approach | 277-286 |
| 31 | Gurlal Singh & Deepika Srivastava | The Cultural Significance of Punjabi Folk Dances: A Study | 287-294 |
| 32 | Samridhi Anand | Dogri Folk Music Tradition: Efforts, Challenges, and Future Directions | 295-302 |
| 33 | रिद्धिमा सिंह | ग्वालियर घराने में टप्पा एवं टप्पख़्याल – एक अवलोकन | 303-307 |
| 34 | Bandana Padhy & Karuna Nagarajan | Effectiveness of Indian Raaga-Based Music Therapy (IRMT) Model for Hypertension Management in Working Professionals: A Randomized Controlled Trial | 308-320 |
| 35 | Snigdhatanu Banerjee | Girija Shankar Chakraborty: Sincere Contribution of a Doyen towards Hindustani Music | 321-328 |
| 36 | Shrey Bhardwaj | Tabla Sound Quality: Analyzing Acoustic Properties, Material Selection, and Environmental Influences | 329-340 |
| 37 | रितु सिंह | संगीत रत्नाकर ग्रन्थ में प्रतिपादित विषयों का सिंहावलोकन | 341-347 |
| 38 | Sasmita Patel & Laxmibabu Soren | Harmonizing Music and Social Work: Leveraging Indian Knowledge Systems for Holistic Community Empowerment | 348-368 |
| 39 | Vijaya | Similarities and Differences Found in The Compositions of the Trinity and Mysuru Composers | 369-377 |
| 40 | Tanvi Kashyap & Anuradha Sharma | Therapeutic Effects of Listening to Hindustani Classical music before sleep: An experimental study | 378-383 |
| 41 | Bilambita Banisudha | The Interplay of Melody and Rhythm in the Jhūlā Songs of the Monsoon | 384-400 |
| 42 | Lakshmipriya R & Rajshri Ramakrishna | Rāga Lakṣaṇa of Dhanyāśi in Music Literature – An Overview | 401-406 |
| 43 | नरेन्द्र कुमार | हरियाणा लोक संगीत एवं संस्कृति के प्रचार-प्रसार में सूचना जन संपर्क एवं भाषा विभाग तथा हरियाणा कला परिषद् का योगदान | 407-412 |
| 44 | Shakir Tasnim | The Mahfil-e-Sama in Indian Sufi Tradition: A Focus on the Firdausia Silsila of Bihar Sharif | 413-421 |
| 45 | Nagaranjitha S | Traditional Gender Roles and Modern Shifts in Yakṣagāna Theatre | 422-427 |
