| INDEX |
| Sl. No. | Author | Paper | Page No. |
| | Editorial | Editor | 1-1 |
| | Cover Page & Index | 2-4 |
| | Ajay Sharma & Kumar Sargam | Awareness of Performers’ Rights Under Indian Copyright Act: A Case Study in the Academia | 5-19 |
| | Srivaralaxmi.V & P. Uma Maheswari | A Study on The Changing Trends in Classical Carnatic Music Teaching and Learning Practices in the Digital Age | 20-33 |
| | Huma Aizaj | The Role of Bhakti Saints in Music during the Mughal Period | 34-45 |
| | Sharif Muhammad Arefin Rony & Rajesh Shah | Women’s Status in Classical Instrumental Music in the Context of Bangladesh Contribution, Obstacles and Possibilities | 46-54 |
| | Farjana Yasmin | The Evolution of Odissi Dance in the Post-Independence Era: Through the Lens of Indo-Bangladesh Background | 55-66 |
| | Swapnil Chandrakant Chaphekar | Analytical study of Aṣṭāṅga-s of K͟hayāla from the perspective of Yati in Hindustani Music | 67-73 |
| | Thiyagarajan B | Exploring the Art of Carnatic Gamakas: A Guide to Playing on Electronic Keyboards with Computer Applications | 74-85 |
| | Rohit | Transcendent Impact of Ustad Nusrat Fateh Ali Khan on Global Sufi Music and Intercultural Dialogue | 86-96 |
| | Bilambita Banisudha | Pālā of Odisha: A study of the Indigenous Ballard form with special reference to its song-texts | 97-109 |
| | Madhulika Pande | Sankeerna Ragas: A Brief Study | 110-115 |
| | Gautam Saikia | Importance of Folk String Instruments in Assamese Folk Songs | 116-126 |
| | Sumita Dutta | Exploring the Musical Connection Between Raga Bhairavi and Indian Folk Songs | 127-139 |
| | Tanvi Kashyap & Anuradha Sharma | The Effect of Music on Maternal Health: An Empirical Analysis | 140-146 |
| | Shah Alam | Exploring Music as a Means of Communication: Analysing Its Fundamental Nature and Context | 147-153 |
| | Nijara Deka | A Re-reading of Sattriya dance forms of the Bardowa Sattra circle: An analytical study of the Sutradhari Nac | 154-161 |
| | रीता पाण्डे एवं भास्कर दत्त कापड़ी, गगनदीप होठी | उत्तराखण्ड की विशिष्ट लोक गायन शैली-‘झोड़ा/खेल’ | 162-170 |
| | अलकेशिका भट्ट एवं शिव नारायण | गढ़वाल के प्रमुख लोक वाद्यों का अध्ययन | 171-181 |
| | वर्षा मिश्रा एवं अंजलि शर्मा | भारतीय संगीत में सारिकायुक्त वाद्य: एक अध्ययन | 182-186 |
| | Dulal Hazarika | The Use of Music in Ankiya Nat and Bhaona: A Study | 187-194 |
| | राकेश कलोत्तरा | शुद्ध, छायालग एवं संकीर्ण पद्धति से मिश्र रागों का अंतर्संबंध | 195-199 |
| | Santosh Kumar | Music and Technology | 200-206 |
| | Santosh Kumar and Sheela Napal | Sorathi: A Folk Music of Sikkim | 207-218 |
| | Krishnendu Dutta, Priyanka Howladar and Juhi Kumari | Zoo-Musicology: Relation of Music with Animals and Birds | 219-225 |
