Abstract

This research paper aims to comparatively analyze the theoretical models of 22 Shruti-s modelled by Bharata Muni around 200 BCE1 and by Dr. Vidyadhar Oke in recent times with respect to their practical applicability in the actual practice of music. Dr. Oke is a musicologist, a harmonium player and an inventor of 22 Shruti-s harmoniums who used a quite different method for the determination of his model from Bharata Muni. This paper highlights some subtle and stark differences between their methods, models and even their probable conception of Shruti-s. Subsequently, their models will be scrutinized on the basis of practical evidence acquired through empirical research attempted in the past to measure the exact mathematical denomination of Shruti-s. This will help to ponder upon the applicability of these theocratical models or perhaps any model in the actual practice of music. In addition, this paper will also hint towards the need for new empirical research in this field for making possible future advancements driven by scientific evidence.