Abstract

In the history of Indian classical music, particularly in instrumental genres, very few women could achieve success. The developments that did come about were observed over the past 150 years. Since the early 20th century, it became significantly more common for women to learn Indian classical music instruments. It was a component of a change to a new national consciousness. During the last 300-400 years, approx., Hindustani music originated in royal palaces. Musical compositions were meant for the amusement of the affluent section of society and the musicians who performed were all males of families among whom the art was passed down through the generations. The circumstances in Bangladesh were not any different. However, the trends are now beginning to change. In every avenue of art and culture, women take charge and demonstrate their successes, just like men. The musical intelligentsia believes there are some obstacles in Bangladesh for women who want to pursue a music career, but this is true for both men and women. Some obstacles are designed specifically for women naturally, but they are used elsewhere. This paper highlights and underlines the contribution of women musicians of Bangladesh.