Cover Page & Index

  INDEX: Vol. 13, No. 2 (JULY 2024)  
Sl. No.AuthorPaperPage No.
 1  Cover Page & Index    1-3
 2Sumita Dutta, Dipankar ChakrabortyThe Untold History of Jal Taranga: A Critical Exploration of its Origin, Evolution and Preservation Initiatives  4-16
 3Babita & Dr. Amit AhujaMelodic Deception: Exploring the Complexities of Deepfakes of Music Generated by Generative Adversarial Networks (GANs)  17-24
 4Shashank Upadhye, Shweta MahajanThe Impact of Body Percussion on Neuropsychological aspects with special reference to Tabla and Pakhawaj  25-32
 5Rajeev KumarImportance of Goat skin and other live stocks in making Indian musical instruments  33-37
 6Manoj Kumar DasHistory and Evolution of ‘Khol Vadya’ – An Analytical Study  38-47
 7Bilambita BanisudhaSacred Songs of Odisha: Harmonical Insight into India’s Culture  48-66
 8Dr.Samidha VedabalaElements of Gayaki in Sitar Performance: An Analytical Study  67-77
 9Dr. Somabha Bandopadhay, Shreya Mahata & Anwesha BagchiRabindranritya as TCE: Advocating legal protection of the traditional dance form of Bengal  78-90
 10Sugnan DaniAnalytical study of the congruences and divergences of lakṣya and lakṣaṇa in the performances of rāga Bāgēśrī on Santūr  91-104
 11अक्षिता बाजपेईसंगत वाद्य के रूप में अवनद्ध वाद्यों का महत्व (प्राचीन काल से वर्तमान काल के सन्दर्भ में) 105-110
 12Nibedita Shyam & Sangita PanditTime Theory of Ragas in North Indian Classical Music: A Pilot study with reference to the impact on its listeners  111-125
 13Swagata Bhattacharjee & V. PremalathaTrends In the Studies Involving Music and Psychology- A Review126-131
 14Manoj Verma & Dr. Mritunjay SharmaThe Impact of Spiritual Folk Songs on Mental Exhaustion  132-148
 15Dr. Narendra KaurInstitutional Teaching-Learning in Music: Outcomes and challenges  149-157
 16Dr. J.Sankar GaneshSelect Tanavarnam-s in Apoorva Raga-s  158-164
 17Dr. Itishree SahooCultural Heritage of Odissa: Challenges and Holistic Unity (With special reference to Performing Arts)  165-170
 18Dimpee BaishyaAn analytical study of dance numbers of Sattriya dance as practiced in Shri Shri Kamalabari Sattra  171-177
 19Ram Prashanth Kumar, Mayank Bhardwaj & Dr. Paramveer SingImpact of Punjabi songs on university students of Punjab178-185
 20Dr. Swapnil Chandrakant ChaphekarSwadheenabhartrika Nayika from the Ashtanayika-s in the compositions of Khayal music: An Analytical Study  186-192
 21Dr. Rajendra PrasadSikh Community, Music and Farmer Protest, 2020-21  193-201
 22Dr. Pintu SahaExamining the Incorporation of Modern Musical Instruments in Jhumur Folk Song – A Research Study  202-218
 23अमित यादवसारंगी : हिंदी फ़िल्म संगीत की ध्वनि219-226
 24Dr. Anuraag Gajamer, Ms. Parishmita Phukan & Dr. Krishnendu DuttaVarious Musical Forms of the Gandharbas227-230
 25Dr. Siddhartha ChoudhurySustainable Development Goals for Quality Education in Music  231-236
 26Millind Mani Dhamala & Dr. Santosh KumarSocial Media and Music A study in Sikkim237-247
 27Ms. Urvashi Mohinani & Dr. M.S. Siva RajuExploring Temporal Framing and Cultural Contexts: Unveiling Bharatanatyam’s Evolution and Embodied Spirituality248-258
 28Prafulla Vilasrao Kale‘Vada Nirnaya’ of Sangeet Samayasara – A Brief Study  259-265
 29Aishwarya MaheshAdaptation of a Dāsarapada to Karnataka classical music and Sugama Saṅgīta – A Case Study  266-274
 30Dr. Pragya PyasiA Comparative Study of Emotional Quotients of University Students in Music and Non-music Disciplines275-284
 31Ramyajit SarkarReflection of Lives of Women of Rarh Bengal in the Bhadu Songs  285-291
 32डॉ० रितु सिंह  नाट्यशास्त्र में वर्णित ताल-तत्व: एक अध्ययन  292-299
 33Dr. Sharbari Banerjee  Yoga and Bhāratīya Śāstrīya Saṅgīta  300-307