INDEX: Vol. 13, No. 2 (JULY 2024) |
Sl. No. | Author | Paper | Page No. |
1 | Cover Page & Index | 1-3 |
2 | Sumita Dutta, Dipankar Chakraborty | The Untold History of Jal Taranga: A Critical Exploration of its Origin, Evolution and Preservation Initiatives | 4-16 |
3 | Babita & Dr. Amit Ahuja | Melodic Deception: Exploring the Complexities of Deepfakes of Music Generated by Generative Adversarial Networks (GANs) | 17-24 |
4 | Shashank Upadhye, Shweta Mahajan | The Impact of Body Percussion on Neuropsychological aspects with special reference to Tabla and Pakhawaj | 25-32 |
5 | Rajeev Kumar | Importance of Goat skin and other live stocks in making Indian musical instruments | 33-37 |
6 | Manoj Kumar Das | History and Evolution of ‘Khol Vadya’ – An Analytical Study | 38-47 |
7 | Bilambita Banisudha | Sacred Songs of Odisha: Harmonical Insight into India’s Culture | 48-66 |
8 | Dr.Samidha Vedabala | Elements of Gayaki in Sitar Performance: An Analytical Study | 67-77 |
9 | Dr. Somabha Bandopadhay, Shreya Mahata & Anwesha Bagchi | Rabindranritya as TCE: Advocating legal protection of the traditional dance form of Bengal | 78-90 |
10 | Sugnan Dani | Analytical study of the congruences and divergences of lakṣya and lakṣaṇa in the performances of rāga Bāgēśrī on Santūr | 91-104 |
11 | अक्षिता बाजपेई | संगत वाद्य के रूप में अवनद्ध वाद्यों का महत्व (प्राचीन काल से वर्तमान काल के सन्दर्भ में) | 105-110 |
12 | Nibedita Shyam & Sangita Pandit | Time Theory of Ragas in North Indian Classical Music: A Pilot study with reference to the impact on its listeners | 111-125 |
13 | Swagata Bhattacharjee & V. Premalatha | Trends In the Studies Involving Music and Psychology- A Review | 126-131 |
14 | Manoj Verma & Dr. Mritunjay Sharma | The Impact of Spiritual Folk Songs on Mental Exhaustion | 132-148 |
15 | Dr. Narendra Kaur | Institutional Teaching-Learning in Music: Outcomes and challenges | 149-157 |
16 | Dr. J.Sankar Ganesh | Select Tanavarnam-s in Apoorva Raga-s | 158-164 |
17 | Dr. Itishree Sahoo | Cultural Heritage of Odissa: Challenges and Holistic Unity (With special reference to Performing Arts) | 165-170 |
18 | Dimpee Baishya | An analytical study of dance numbers of Sattriya dance as practiced in Shri Shri Kamalabari Sattra | 171-177 |
19 | Ram Prashanth Kumar, Mayank Bhardwaj & Dr. Paramveer Sing | Impact of Punjabi songs on university students of Punjab | 178-185 |
20 | Dr. Swapnil Chandrakant Chaphekar | Swadheenabhartrika Nayika from the Ashtanayika-s in the compositions of Khayal music: An Analytical Study | 186-192 |
21 | Dr. Rajendra Prasad | Sikh Community, Music and Farmer Protest, 2020-21 | 193-201 |
22 | Dr. Pintu Saha | Examining the Incorporation of Modern Musical Instruments in Jhumur Folk Song – A Research Study | 202-218 |
23 | अमित यादव | सारंगी : हिंदी फ़िल्म संगीत की ध्वनि | 219-226 |
24 | Dr. Anuraag Gajamer, Ms. Parishmita Phukan & Dr. Krishnendu Dutta | Various Musical Forms of the Gandharbas | 227-230 |
25 | Dr. Siddhartha Choudhury | Sustainable Development Goals for Quality Education in Music | 231-236 |
26 | Millind Mani Dhamala & Dr. Santosh Kumar | Social Media and Music A study in Sikkim | 237-247 |
27 | Ms. Urvashi Mohinani & Dr. M.S. Siva Raju | Exploring Temporal Framing and Cultural Contexts: Unveiling Bharatanatyam’s Evolution and Embodied Spirituality | 248-258 |
28 | Prafulla Vilasrao Kale | ‘Vada Nirnaya’ of Sangeet Samayasara – A Brief Study | 259-265 |
29 | Aishwarya Mahesh | Adaptation of a Dāsarapada to Karnataka classical music and Sugama Saṅgīta – A Case Study | 266-274 |
30 | Dr. Pragya Pyasi | A Comparative Study of Emotional Quotients of University Students in Music and Non-music Disciplines | 275-284 |
31 | Ramyajit Sarkar | Reflection of Lives of Women of Rarh Bengal in the Bhadu Songs | 285-291 |
32 | डॉ० रितु सिंह | नाट्यशास्त्र में वर्णित ताल-तत्व: एक अध्ययन | 292-299 |
33 | Dr. Sharbari Banerjee | Yoga and Bhāratīya Śāstrīya Saṅgīta | 300-307 |