| Sl. | Author | Paper Title | Pages | |
|---|---|---|---|---|
| 1 | Editor-in-Chief |
Music Therapy and Ayurveda
|
1-1 | Read |
| 2 | Deepak Kumar Mittal |
Singing forms of North Indian Classical Music
|
2-14 | Read |
| 3 | Dr. Narendra Kaur |
History and Development of Harmonium in India and its Place in Gurbani Kirtan
|
15-30 | Read |
| 4 | Dr. Renu Johri |
Gharanas of Tabla and Its Signature Patterns
|
31-35 | Read |
| 5 | Dipak Tripathi |
Avnadhhya Vadyo ki Bandisho me Swar evam Vyanjan ke Sanyojan ki Avdharna
|
36-39 | Read |
| 6 | G.B.V. Anuradha |
The Contribution of Sangeetha Kalanidhi M.L.Vasantha Kumari in Carnatic Music
|
40-42 | Read |
| 7 | Dr. Seema Jouhari |
Pakhawaj me Pragtishilta ke Paksh-dhar Swami Pagal Das
|
43-48 | Read |
| 8 | Kratanand Pandey |
Doorasth Sangeet Shiksha ki Sambhavnae
|
49-51 | Read |
| 9 | Dr. Tapas Pal |
Udisa ki Sangeetik Prastha-bhoomi
|
52-56 | Read |
| 10 | Dipak Kumar Mittal And P.L.Gohadkar |
Gwalior Sangeet Sanskriti ka Bhartiya Sangeet Sanskriti par Prabhav
|
57-62 | Read |
| 11 | Dr. Lavanya Kirti Singh |
Bhartiya Sangeet ke Devarishi
|
63-73 | Read |
| 12 | Dr. Vidhi Nagar |
The Science behind Dance
|
74-77 | Read |