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1
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Editor |
Editorial
Editor
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1-1 |
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2
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Cover Page |
Cover Page & Index
Cover Page
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2-4 |
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3
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Dr. Sharbari Banerjee |
Kala Utsav: Promoting Traditional Arts
Dr. Sharbari Banerjee
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5-13 |
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4
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Dr. Asit Goswami |
Music and Artificial Intelligence: Exploring the Intersection of Creativity and Technology
Dr. Asit Goswami
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14-19 |
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5
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Ankeeta Borah & Dr. Abhishek K. Bhardwaj |
Impact of Raga Darbari Kanada on Insomnia in High School Students: A Study
Ankeeta Borah & Dr. Abhishek K. Bhardwaj
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20-24 |
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6
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Dr. Tapu Biswas |
On the Fusion of Theatre and Music
Dr. Tapu Biswas
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25-32 |
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7
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Mayank Bhardwaj & Dr. Paramveer Singh |
Substance and Drug Abuse: An Analysis of Elements in Two Punjabi Pop Songs
Mayank Bhardwaj & Dr. Paramveer Singh
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33-41 |
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8
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Dr. Swapnil Chandraknt Chaphekar |
Expression of Advaita Philosophy through the Compositions of Khayal in Hindustani Music
Dr. Swapnil Chandraknt Chaphekar
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42-51 |
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9
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Dr. Atindra Sarvadikar |
Critical Study of the Elements of Style Formation in Indian Music
Dr. Atindra Sarvadikar
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52-56 |
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10
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Sreemoyee Borah |
Understanding the Unique Features of the Sattriya Tala System
Sreemoyee Borah
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57-69 |
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11
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Dr. Santosh Kumar |
“Balan”- A Folk-Dance Drama of Sikkim
Dr. Santosh Kumar
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70-77 |
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12
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Anindita Borah |
The Commodification of Folk Music: A Critical Study of Assamese Bihu Songs
Anindita Borah
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78-84 |
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13
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Himanshu Sati and GK Bhide |
Intricacies of Musical Notes in Raag Bhoop & Durga: An Analytical Approach
Himanshu Sati and GK Bhide
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85-93 |
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14
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Dr. Gagandeep Hothi |
The Aesthetic Aspect of Indian Classical Music
Dr. Gagandeep Hothi
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94-98 |
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15
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Dr. Sudarshana Baruah |
Indian Devotional Music: Its Relation with Religion and Iconography (With special reference to the state of Assam)
Dr. Sudarshana Baruah
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99-113 |
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16
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Samujjal Ray |
Music and the COVID-19 Pandemic: A Critical Analysis
Samujjal Ray
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114-118 |
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17
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Amit Yadav |
(Hindi Film Sangeet me Sitar Vadya ki Bhoomika) हिंदी फ़िल्म संगीत में सितार वाद्य की भूमिका
Amit Yadav
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119-125 |
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18
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Komal |
(Pandit Narayan Rao Vyas: 78 RPM Yug ke Sarvadhik Prasiddha Kalakar) पंडित नारायण राव व्यास : 78 RPM युग के सर्वाधिक प्रसिद्ध कलाकार
Komal
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126-134 |
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19
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Dr. Reema Sharma |
(Chitrapat Sangeet me Dhrupad Evam Khyal Gayan Shailiyon ka Prayog: Ek Avloknatmak Addhyayan) चित्रपट संगीत में ध्रुपद एवं ख्याल गायन शैलियों का प्रयोग: एक अवलोकनात्मक अध्ययन
Dr. Reema Sharma
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135-144 |
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20
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Dr. Ravi Joshi |
(Kumayun ki Holi Gayan Shaili: Ek Vishleshanatmak Addhyayan) कुमाऊँ की होली गायन शैली: एक विश्लेषणात्मक अध्ययन
Dr. Ravi Joshi
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145-153 |
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21
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Dr. Shobhit Kumar Nahar & Dr. Prem Prakash Prajapati |
(Tabla ka Lucknow Gharana Evam Vadan Shaili ki Visheshtaien) तबले का लखनऊ घराना एवं वादन शैली की विशेषता
Dr. Shobhit Kumar Nahar & Dr. Prem Prakash Prajapati
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154-158 |
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22
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Anupurna Shrivastav |
(Gurumati Sangeet me Jodi Vadan ki Parampra) गुरुमति संगीत में जोड़ी वादन की परम्परा
Anupurna Shrivastav
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159-164 |
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23
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Dr. Vaibhav Kaithvas |
(Hindustani Qawwali ka Sangitik Evam Sahityik Swaroop) हिन्दुस्तानी क़व्वाली का सांगीतिक एवं साहित्यिक स्वरूप
Dr. Vaibhav Kaithvas
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165-172 |
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24
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Mrinal Ranjan |
(Bacchon ke Vyaktitva ke Vikas me Bhartiya Shastriya Sangeet ki Bhumika) बच्चों के व्यक्तित्व के विकास में भारतीय शास्त्रीय संगीत की भूमिका
Mrinal Ranjan
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173-179 |
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