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1
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Cover Page & Index |
Cover Page & Index
Cover Page & Index
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1-3 |
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2
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Himanshu Sati & G K Bhide |
Revisiting Raga Classification as Propounded by Pandit Vishnu Narayan Bhatkhande
Himanshu Sati & G K Bhide
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4-12 |
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3
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Sandip Kumar Raut |
Dynamics of Upaj: Unravelling the intricacies of improvisation in Indian Music
Sandip Kumar Raut
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13-23 |
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4
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Dipankar Chakraborty & Sumita Dutta |
The Multi-layered Reality of ‘Sakari Shruti’: An in-depth Analysis of Historical and Perceptual Nuances
Dipankar Chakraborty & Sumita Dutta
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24-34 |
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5
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Vagisha Sharma |
Divine Imperfect Circles in Mathematics and Music
Vagisha Sharma
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35-45 |
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6
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Ikla Subba & Pooja Basnett |
Beyond the Lens and Soundtrack: Exploring Women’s Participation in Filmmaking and Film Music in Sikkim
Ikla Subba & Pooja Basnett
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46-52 |
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7
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Manikangkana Barman |
The History and Evolution of Bhortaal Dance: A Traditional Performing Art of Assam
Manikangkana Barman
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53-59 |
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8
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राकेश |
हरियाणा लोक संगीत की प्रमुख गायन शैलियों का विश्लेषणात्मक अध्ययन
राकेश
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60-72 |
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9
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मानस विश्वरूप |
आगरा घराने की गायकी में बोल अंग: एक विश्लेषणात्मक अध्ययन
मानस विश्वरूप
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73-84 |
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10
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Meenakshi S Thambi |
Staging Femininity: Yue Opera’s Aesthetic Reinvention in Xie Jin’s Two Stage Sisters
Meenakshi S Thambi
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85-90 |
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11
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R. Hemalatha |
A Comparative Study of the Rāga-s Kanakāmbari and Śuddha Mukhāri with special reference to the Gīta-s in Saṅgīta Sampradāya Pradarśini
R. Hemalatha
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91-98 |
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12
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Borish Dutta |
The Chaidhya Prasanga in Kamalabari Satras & Barpeta Satra
Borish Dutta
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99-106 |
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13
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Sonica Hazarika |
Integration of Bharata’s Nayika Bheda in the Ankiya Geets: The Songs of the Traditional Theatre Form Ankiya Nat-Bhaona of Assam
Sonica Hazarika
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107-114 |
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14
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Bhanupratap Sahoo & Revati Sakalkar |
Music Copyright in the Age of Artificial Intelligence: A New Era of Creative Ownership
Bhanupratap Sahoo & Revati Sakalkar
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115-125 |
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15
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अशोक गोप और शाकिर तसनीम |
झारखंड के पारंपरिक लुप्तप्राय वाद्य यंत्र : एक अवलोकन
अशोक गोप और शाकिर तसनीम
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126-140 |
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16
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Reema Das & Shrabanika Changmai |
Expression of devotion in Bargeet through the character of Lord Krishna
Reema Das & Shrabanika Changmai
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141-150 |
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17
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Chintamoni Molia |
Folk Music as Cultural Performance: The Role of ‘Kham Yon Kong’ in Tai Phake Society of Assam
Chintamoni Molia
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151-155 |
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18
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Amit Kumar Verma |
Musical Names of NCERT Books and its Socio-Cultural Analysis
Amit Kumar Verma
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156-164 |
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19
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Swagata Bhattacharjee |
Curriculum, Culture, and Policy: Why We Need “Sociology of Music” as a Sub-discipline
Swagata Bhattacharjee
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165-173 |
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20
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Nibedita Shyam & Sangeeta Pandit |
The Emotive Notion of Raag Ahir-Bhairav: An Experimental Analysis
Nibedita Shyam & Sangeeta Pandit
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174-185 |
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21
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S. Seethalakshmi |
Muktayi for Kalpana Svaras
S. Seethalakshmi
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186-197 |
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22
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Asmita Mishra & Pragya Pyasi |
Ayodhya’s Keertan Tradition and Its Socio-Cultural Aspects and Connections
Asmita Mishra & Pragya Pyasi
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198-210 |
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23
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Shashank M. Upadhye |
The Fundamentals of Tabla Accompaniment with Khayal Gayaki
Shashank M. Upadhye
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211-216 |
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24
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D V K Vasudevan |
Interwoven Arts: Exploring the Legacy of Ragamala Paintings, Hindustani and Carnatic Music Traditions, and Carpet Weaving during Rajput and Mughal periods
D V K Vasudevan
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217-223 |
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25
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Vidhi Nagar & Shikha Ramesh |
Gestures Across Borders: A Study of Laotian Traditional Dance Through the Nāṭyaṡāstra’s Lens of Aṅga
Vidhi Nagar & Shikha Ramesh
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224-246 |
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26
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Bikiraj Mahanta |
Echoes of Tradition: A Comprehensive Study of the Bogejari Dance of Pati Rabha Women of Assam
Bikiraj Mahanta
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247-258 |
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27
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Maneesha M. Kulkarni |
Analysis of Rhythmic Aspect in Gharanas of Hindustani Music
Maneesha M. Kulkarni
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259-267 |
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28
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नितिश भारद्वाज और प्रो० प्रवीण उद्धव |
डिजिटल युग में शास्त्रीय संगीत: संरक्षण और नवाचार की नई राह
नितिश भारद्वाज और प्रो० प्रवीण उद्धव
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268-276 |
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29
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शुभम चौहान और प्रो० प्रवीण उद्धव |
कोरोना काल और तबला चिंतन: पंडित शुभंकर बनर्जी के विचारों की झलक
शुभम चौहान और प्रो० प्रवीण उद्धव
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277-284 |
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30
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Manoj Verma |
An analytical Study of the Folklores of Himachal Pradesh in the Context of Promoting and Preserving its Ancient Culture and Traditions
Manoj Verma
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285-295 |
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