1
Editor
Cover Page & Index
1-3
2
Sumita Dutta & Dipankar Chakraborty
The Untold History of Jal Tarang: A Critical Exploration of its Origin, Evolution and Preservation Initiatives
4-15
3
Babita & Dr. Amit Ahuja
Melodic Deception: Exploring the Complexities of Deepfakes of Music Generated by Generative Adversarial Networks (GANs)
16-24
4
Shashank Mangirish Upadhye & Shweta Nitin Mahajan
The Impact of Body Percussion on Neuropsychological aspects with special reference to Tabla and Pakhawaj
25-32
5
Rajeev Kumar
Importance of Goat Skin and other livestocks in Making Indian Musical Instruments
33-37
6
Manoj Kumar Das
History and Evolution of ‘Khol Vadya’ – An Analytical Study
38-47
7
Dr. Bilambita Banisudha
Sacred Songs of Odisha: Harmonical Insight Into India’s Culture
48-66
8
Dr. Samidha Vedabala
Elements of Gayaki in Sitar Performance: An Analytical Study
67-77
9
Dr. Somabha Bandopadhay, Shreya Mahata & Anwesha Bagchi
Rabindranritya as Traditional Cultural Expression: Advocating Legal Protection of the Traditional Dance form of Bengal
78-90
10
Sugnan Dani
Analytical study of the congruences and divergences of lakṣya and lakṣaṇa in the performances of rāga Bāgēśrī on Santūr
91-104
11
Akshita Bajpai
संगत वाद्य के रूप में अवनद्ध वाद्यों का महत्व (प्राचीन काल से वर्तमान काल के सन्दर्भ में)
105-110
12
Nibedita Shyam & Prof. Sangeeta Pandit
Time Theory of Ragas in North Indian Classical Music: A Pilot study with reference to the Impact on its Listeners
111-125
13
Swagata Bhattacharje & V. Premalatha
Trends in the Studies Involving Music and Psychology: A Review
126-131
14
Manoj Verma & Dr. Mritunjay Sharma,
The Impact of Spiritual Folk Songs on Mental Exhaustion
132-148
15
Dr. Narendra Kaur
Institutional Education of Music: Outcomes and Challenges
149-157
16
Dr. J. Sankar Ganesh
Selected Tanavarnam-s in Apoorva Raga-s
158-164
17
Dr. Itishree Sahoo
Cultural Heritage of Odissa: Challenges and Holistic Unity (With special reference to Performing Arts)
165-170
18
Miss Dimpee Baishya
An Analytical Study of Dance Numbers of Sattriya Dance as practiced in Shri Shri Kamalabari Sattra
171-177
19
Ram Prashanth Kumar, Mayank Bhardwaj & Dr. Paramveer Singh
Impact of Punjabi Songs on University Students of Punjab
178-185
20
Dr. Swapnil Chandrakant Chaphekar
Swadheenabhartrika Nayika From the Ashtanayika-S in the Compositions of Khayal Music: An Analytical Study
186-192
21
Dr. Rajendra Prasad
Sikh Community, Music and Farmer Protest- 2020-21: A Study
193-201
22
Dr. Pintu Saha,
Examining the Incorporation of Modern Musical Instruments in Jhumur Folk Song – A Research Study
202-218
23
अमित यादव, प्रो. अलका नागपाल
सारंगी : हिंदी फ़िल्म संगीत की ध्वनि
219-226
24
Dr. Anuraag Gajamer, Ms. Parishmita Phukan & Dr. Krishnendu Dutta
Various Musical Forms of The Gandharba Community of Nepal and Adjoining Regions
227-230
25
Dr. Siddhartha Choudhury
Sustainable Development Goals for Quality Education in Music
231-236
26
Millind Mani Dhamala & Dr. Santosh Kumar,
Social Media and Music: A Study in Sikkim
237-247
27
Urvashi Mohinani & DR. M.S. Siva Raju
Exploring Temporal Framing and Cultural Contexts: Unveiling Bharatanatyam’s Evolution and Embodied Spirituality
248-258
28
Prafulla Vilasrao Kale
‘Vada Nirnaya’ of Sangeet Samayasara – A Brief Study
259-265
29
Aishwarya Mahesh
Adaptation of a Dāsarapada to Karnataka Classical Music and Sugama Saṅgīta: A Case Study
266-274
30
Dr. Pragya Pyasi
A Comparative Study of Emotional Quotients of University Students in Music and Non-Music Disciplines
275-284
31
Ramyajit Sarkar
Reflection of Lives of Women of Rarh Bengal in the Bhadu Songs
285-291
32
डॉ० रितु सिंह
नाट्यशास्त्र में वर्णित ताल-तत्व: एक अध्ययन
292-299
33
Dr. Sharbari Banerjee
Yoga and Bhāratīya Śāstrīya Saṅgīta
301-307