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1
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Cover Page & Index |
Cover Page & Index
Cover Page & Index
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1-4 |
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2
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Editor |
Editorial
Editor
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5-5 |
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3
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Srivaralaxmi V & Uma Maheswari P |
From Vinyl to Digital: A Century of Technological Advancements in Indian Classical Music
Srivaralaxmi V & Uma Maheswari P
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6-17 |
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4
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Vishal Lout |
ISRC – International Standard Recording Code: A Need of Today’s Music Industry – A Study
Vishal Lout
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18-26 |
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5
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Dr. Neha Aggarwal & Dr. Chander Pal Punia |
Chemical Analysis and Conservation of Materials in Indian Musical Instruments
Dr. Neha Aggarwal & Dr. Chander Pal Punia
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27-37 |
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6
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Dipankar Chakraborty & Sumita Dutta |
A Comprehensive Musical Analysis of Skanda Purana
Dipankar Chakraborty & Sumita Dutta
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38-57 |
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7
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Megha Kwatra & Amit Ahuja |
Reshaping the Brain Through Music: Instrumental Learning, Neuroplasticity, and Academic Achievement
Megha Kwatra & Amit Ahuja
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58-65 |
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8
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Yadhav Sharma |
Harmonizing Heritage: Unveiling the Significance of Indian Classical Music in the Modern World
Yadhav Sharma
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66-69 |
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9
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Mohini Tripathi |
Adherence to STREAM Pedagogy as per the Tagorean Model in the Context of NEP 2020
Mohini Tripathi
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70-75 |
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10
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Deepika Srivastava, Rajinder Kumar Sen & Aditi Pandey |
Nada Yoga and Spirituality: The Transformative Power of Indian Music
Deepika Srivastava, Rajinder Kumar Sen & Aditi Pandey
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76-82 |
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11
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Shamayita Panja & Madhumita Bhattacharya |
Shyamā Sangīt: The Devotional Music Dedicated to Goddess Kāli
Shamayita Panja & Madhumita Bhattacharya
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83-88 |
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12
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Roshan Putwar & Manasi Majumder |
Apprenticeship of Dāphā Music in Newari Communities of Nepal
Roshan Putwar & Manasi Majumder
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89-97 |
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13
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Sai Eishwary Mahashabde & Santosh Kumar Pathak |
Laya Aspect in Dhrupad and Khayal: A Comparative Analysis
Sai Eishwary Mahashabde & Santosh Kumar Pathak
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98-103 |
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14
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Bhanupratap Sahoo & Revati Sakalkar |
Indian Ancestry of Violin
Bhanupratap Sahoo & Revati Sakalkar
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104-112 |
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15
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Lawanya Kirti Singh 'Kabya' |
Ragas in Indian Texts
Lawanya Kirti Singh 'Kabya'
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113-148 |
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16
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Swapnil Chandrakant Chaphekar |
Depiction of Ashtanayika-s in Khayal Bandish-es and Indian Miniature Paintings: An Interdisciplinary Comparative Study
Swapnil Chandrakant Chaphekar
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149-158 |
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17
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Itishree Sahoo |
Performing Arts: A Holistic Perspective
Itishree Sahoo
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159-166 |
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18
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Rajendra Prasad |
Celebrity Power: The Political Footprints of Cricketers and Cinema Stars in India
Rajendra Prasad
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167-178 |
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19
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Dulal Hazarika |
Reflection of Assamese Society in Bihu Geet and its Relevance
Dulal Hazarika
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179-186 |
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20
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विभा पाण्डेय एवं प्रेम कुमार मल्लिक |
ध्रुपद गायन शैली की विकास यात्रा: एक अध्ययन
विभा पाण्डेय एवं प्रेम कुमार मल्लिक
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187-195 |
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21
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Y. Datta |
Shailendra: The Best Lyricist in Hindi Cinema
Y. Datta
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196-222 |
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22
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Rupanta Borpatra Gohain |
Ankia-Nat: A Traditional Theatre
Rupanta Borpatra Gohain
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223-233 |
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23
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Rama Sundar |
A Cohort Analysis of Andal and Soyarabai’s Songs as two Women Bhakti Saints
Rama Sundar
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234-240 |
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24
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प्रेम प्रकाश प्रजापति एवं शोभित कुमार नाहर |
ध्वनि विस्तारक यंत्रों के प्रयोग एवं आकाशवाणी के आगमन से तबला वादन में परिवर्तन
प्रेम प्रकाश प्रजापति एवं शोभित कुमार नाहर
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241-245 |
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25
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S. Ranjani |
How Geography and Climate Shape Indian Music Education: A Comprehensive Analysis
S. Ranjani
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246-257 |
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26
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Samidha Vedabala |
Cultural Hybridity in Indian Music: Blending Tradition and Innovation
Samidha Vedabala
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258-264 |
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27
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Preeti Sethuraman & K. Rukmani |
Nāṭakuṟañji – A Study
Preeti Sethuraman & K. Rukmani
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265-276 |
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28
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Sandip Kumar Raut |
The Significance of Yoga in Tabla Playing: A Holistic Approach
Sandip Kumar Raut
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277-286 |
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29
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Gurlal Singh & Deepika Srivastava |
The Cultural Significance of Punjabi Folk Dances: A Study
Gurlal Singh & Deepika Srivastava
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287-294 |
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30
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Samridhi Anand |
Dogri Folk Music Tradition: Efforts, Challenges and Future Directions
Samridhi Anand
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295-302 |
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31
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रिद्धिमा सिंह |
ग्वालियर घराने में टप्पा एवं टप्पख़्याल- एक अवलोकन
रिद्धिमा सिंह
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303-307 |
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32
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Bandana Padhy & Karuna Nagarajan |
Effectiveness of Indian Raaga-Based Music Therapy (IRMT) Model for Hypertension Management in Working Professionals: A Randomized Controlled TRAIL
Bandana Padhy & Karuna Nagarajan
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308-320 |
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33
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Snigdhatanu Banerjee |
Girija Shankar Chakraborty: Sincere Contribution of a Doyen towards Hindustani Music
Snigdhatanu Banerjee
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321-328 |
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34
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Shrey Bhardwaj |
Tabla Sound Quality: Analyzing Acoustic Properties, Material Selection, and Environmental Influences
Shrey Bhardwaj
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329-340 |
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35
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रितु सिंह |
संगीत रत्नाकर ग्रन्थ में प्रतिपादित विषयों का सिंहावलोकन
रितु सिंह
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341-347 |
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36
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Sasmita Patel & Laxmibabu Soren |
Harmonizing Music and Social Work: Leveraging Indian Knowledge Systems for Holistic Community Empowerment
Sasmita Patel & Laxmibabu Soren
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348-368 |
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37
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Vijaya |
Similarities and Differences Found in the Compositions of the Trinity and Mysuru Composers
Vijaya
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369-377 |
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38
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Tanvi Kashyap & Anuradha Sharma |
Therapeutic Effects of Listening to Hindustani Classical Music before Sleep: An Experimental Study
Tanvi Kashyap & Anuradha Sharma
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378-383 |
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39
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Bilambita Banisudha |
The Interplay of Melody and Rhythm in the Jhūlā Songs of the Monsoon
Bilambita Banisudha
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384-400 |
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40
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Lakshmipriya R & Rajshri Ramakrishna |
Rāga Lakṣaṇa of Dhanyāśi in Music Literature – An Overview
Lakshmipriya R & Rajshri Ramakrishna
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401-406 |
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41
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नरेन्द्र कुमार |
हरियाणा लोक संगीत एवं संस्कृति के प्रचार-प्रसार में सूचना जन संपर्क एवं भाषा विभाग तथा हरियाणा कला परिषद् का योगदान
नरेन्द्र कुमार
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407-412 |
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42
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Shakir Tasnim |
The Mahfil-e-Sama in Indian Sufi Tradition: A Focus on the Firdausia Silsila of Bihar Sharif
Shakir Tasnim
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413-421 |
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43
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Nagaranjitha S |
Traditional Gender Roles and Modern Shifts in Yakṣagāna Theatre
Nagaranjitha S
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422-427 |
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